How to Shoot Video That Doesn't Suck: Advice to Make Any Amateur Look Like a Pro

How to Shoot Video That Doesn't Suck is a quick and easy guide that will make your video better instantly-- whether you read it cover to cover or just skim a few chapters.  It's about the language of video. How to think like a director, regardless of equipment (amateurs think about the camera, pros think about communication).  It's about the rules developed over a century of movie-making--which work just as well when shooting a two-year-old's birthday party. Written by Steve Stockman, the director of Two Weeks (2007), plus TV shows, music videos, and hundreds of commercials, How to Shoot Video That Doesn't Suck explains in 74 short, pithy, insightful chapters how to tell a story and entertain your audience. How to shoot video people will want to watch.

Here's how to think in shots--how to move-point-shoot-stop-repeat, instead of planting yourself in one spot and pressing "Record" for five minutes. Why never to shoot until you see the whites of your subject's eyes. Why to "zoom" with your feet and not the lens. How to create intrigue on camera. The book covers the basics of framing, lighting, sound (use an external mic), editing, special effects (turn them off!), and gives advice on shooting a variety of specific situations: sporting events, parties and family gatherings, graduations and performances. Plus, how to make instructional and promotional videos, how to make a music video, how to capture stunts, and much more. At the end of every chapter is a suggestion of how to immediately put what you learned into practice, so the next time you're shooting you'll have begun to master the skill. Accompanying the book is a website with video clips to illustrate different rules, techniques, and situations.



How to Shoot Video That Doesn't Suck: Advice to Make Any Amateur Look Like a Pro Feature:



How to Shoot Video That Doesn't Suck is a quick and easy guide that will make your video better instantly-- whether you read it cover to cover or just skim a few chapters.  It's about the language of video. How to think like a director, regardless of equipment (amateurs think about the camera, pros think about communication).  It's about the rules developed over a century of movie-making--which work just as well when shooting a two-year-old's birthday party. Written by Steve Stockman, the director of Two Weeks (2007), plus TV shows, music videos, and hundreds of commercials, How to Shoot Video That Doesn't Suck explains in 74 short, pithy, insightful chapters how to tell a story and entertain your audience. How to shoot video people will want to watch.

Here's how to think in shots--how to move-point-shoot-stop-repeat, instead of planting yourself in one spot and pressing "Record" for five minutes. Why never to shoot until you see the whites of your subject's eyes. Why to "zoom" with your feet and not the lens. How to create intrigue on camera. The book covers the basics of framing, lighting, sound (use an external mic), editing, special effects (turn them off!), and gives advice on shooting a variety of specific situations: sporting events, parties and family gatherings, graduations and performances. Plus, how to make instructional and promotional videos, how to make a music video, how to capture stunts, and much more. At the end of every chapter is a suggestion of how to immediately put what you learned into practice, so the next time you're shooting you'll have begun to master the skill. Accompanying the book is a website with video clips to illustrate different rules, techniques, and situations.



We recommend that you check the price of How to Shoot Video That Doesn't Suck: Advice to Make Any Amateur Look Like a Pro in a hurry now. It might reduce the price or offersthat you are appointed to make. So you have the best How to Shoot Video That Doesn't Suck: Advice to Make Any Amateur Look Like a Pro in prices from com.

John Wayne: The Legend and the Man: An Exclusive Look Inside Duke's Archive

An undisputed American icon, John Wayne is recognized the world over for his signature drawl and confident swagger; the ultimate personification of American courage and honor. This fall, John Wayne Enterprises has chosen powerHouse Books to produce the first-ever exclusively authorized photographic record of his life, both on-screen and off.

John Wayne: The Legend and the Man celebrates Duke’s life and legacy through film stills and backstage photos and snapshots ranging from his cinematic masterpieces—True Grit, Rio Grande, Sands of Iwo Jima, The Quiet Man, The Man Who Shot Liberty Valance, Fort Apache, and The Alamo—to a surprising variety of early-career, leading-man films: The Big Trail, Stagecoach, Flying Tigers, They Were Expendable. Also included are a wide selection of fan mail art; family albums, photos from friends and loved ones, and the many treasures gathered over the years in his immense archive (famed film costumes, publicity photos exchanged with costars, telegrams and medals), many of the photos and these personal effects being published for the first time, and all from Duke’s personal archive.

Duke was more than just his on-screen persona—he was known by loved ones for his warmth, charm, charisma, passion, loyalty, and spirit. Through an in-depth exposé of the memorabilia, the private moments, the inner thoughts, and familial memories, John Wayne: The Legend and the Man captures both the man and the myth and furthers the legacy of this giant of American cinema.

“This wonderful collection of photographs gives us John Wayne the figurehead, John Wayne the actor, and John Wayne the human being. It’s a rich experience to look through these pages and see where Wayne’s three roles converged and diverged…. And in all the photos, you see another,
earlier America with different ideas of glamor, beauty, fashion, and behavior, a world that now feels as distant as the renaissance.
   A movie-made hero…a superstar, one of the very first…an image of manhood…and a great American artist. This book affords us a generous look at John Wayne from every angle."
—Martin Scorsese, from the Introduction

“To the people of the world, John Wayne is the United States of America. He is what they believe it to be. He is what they hope it will be. And he is what they hope it will always be."
—Maureen O’Hara

“In my acting, I have to identify with something in the character. The big tough boy on the side of right—that’s me. Simple themes. Save me from the nuances. All I do is sincerity, and I’ve been selling the hell out of that ever since I started."
—John Wayne (Time, June 9, 1967)



John Wayne: The Legend and the Man: An Exclusive Look Inside Duke's Archive Feature:



An undisputed American icon, John Wayne is recognized the world over for his signature drawl and confident swagger; the ultimate personification of American courage and honor. This fall, John Wayne Enterprises has chosen powerHouse Books to produce the first-ever exclusively authorized photographic record of his life, both on-screen and off.

John Wayne: The Legend and the Man celebrates Duke’s life and legacy through film stills and backstage photos and snapshots ranging from his cinematic masterpieces—True Grit, Rio Grande, Sands of Iwo Jima, The Quiet Man, The Man Who Shot Liberty Valance, Fort Apache, and The Alamo—to a surprising variety of early-career, leading-man films: The Big Trail, Stagecoach, Flying Tigers, They Were Expendable. Also included are a wide selection of fan mail art; family albums, photos from friends and loved ones, and the many treasures gathered over the years in his immense archive (famed film costumes, publicity photos exchanged with costars, telegrams and medals), many of the photos and these personal effects being published for the first time, and all from Duke’s personal archive.

Duke was more than just his on-screen persona—he was known by loved ones for his warmth, charm, charisma, passion, loyalty, and spirit. Through an in-depth exposé of the memorabilia, the private moments, the inner thoughts, and familial memories, John Wayne: The Legend and the Man captures both the man and the myth and furthers the legacy of this giant of American cinema.

“This wonderful collection of photographs gives us John Wayne the figurehead, John Wayne the actor, and John Wayne the human being. It’s a rich experience to look through these pages and see where Wayne’s three roles converged and diverged…. And in all the photos, you see another,
earlier America with different ideas of glamor, beauty, fashion, and behavior, a world that now feels as distant as the renaissance.
   A movie-made hero…a superstar, one of the very first…an image of manhood…and a great American artist. This book affords us a generous look at John Wayne from every angle."
—Martin Scorsese, from the Introduction

“To the people of the world, John Wayne is the United States of America. He is what they believe it to be. He is what they hope it will be. And he is what they hope it will always be."
—Maureen O’Hara

“In my acting, I have to identify with something in the character. The big tough boy on the side of right—that’s me. Simple themes. Save me from the nuances. All I do is sincerity, and I’ve been selling the hell out of that ever since I started."
—John Wayne (Time, June 9, 1967)



We recommend that you check the price of John Wayne: The Legend and the Man: An Exclusive Look Inside Duke's Archive in a hurry now. It might reduce the price or offersthat you are appointed to make. So you have the best John Wayne: The Legend and the Man: An Exclusive Look Inside Duke's Archive in prices from com.